Monthly Archive for October, 2009

BURN magazine receives a Lucie Award

lassal-perpignan-burn2781

I took the snapshot above last year in Perpignan while sitting in the Café de la Poste with some other RoadTrips bloggers. We met David Alan Harvey during Visa Pour l’Image to brainstorm about how to possibly expand the idea of the RoadTrips blog into some kind of online magazine. This was the beginning of BURN. Not even 3 months later BURN went online, owning its name to Kelly Jynn James, after a long collective search and discussion. Owning the rest mostly to David and Anton who worked nightshift after nightshift.

Yesterday night BURN received a Lucie Award as Photography Magazine of the Year 2009!

PDN calles it a “milestone: This is the first time the Photography Magazine of the Year award has recognized an all-electronic publication. It’s also significant that Burn, which launched less than a year ago, has already established itself as a leading venue for photo stories.”

Congratulations to David Alan Harvey, Anton Kusters and all of the BURNians! I have to say I am quite thrilled to have at least partially witnessed this birth.

From The Lucie Award Site:
“Photography Magazine of the Year Nominees Are:
In an effort to recognize both print and electronic platforms, this category will include online photography magazines in addition to traditional print magazines with the emphasis on acknowledging great vision and execution regardless of the platform.

Aperture Magazine
BurnMagazine.org
C International Photography Magazine
Foam International Photography Magazine
GUP (Guide to Unique Photography) Magazine
Lunaticmag.com
Nueva Luz Photographic Journal”

Congratulations to all of the nominees!


Burn.gallery.show

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“BURN Magazine presents an unique showing of prints by Elliott Erwitt, Bruce Davidson, Gilles Peress, Susan Meiselas, Alex & Rebecca Webb and Chris Anderson, and featuring an exquisite selection of prints by BURN emerging photographers.”
- David Alan Harvey -

BURN is curated by Magnum photographer David Alan Harvey, and I am totally proud and honored to have a photograph of mine chosen by him for this exhibition.

The opening was on October 9, with a special collector’s showing on October 10 – and I heard that the gallery show will proceed to FotoWeek in Washington DC in November in slightly expanded form.


sick dog

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Poor guy … After the last swim in the river, he ran right over what seems to have been a broken glas bottle, that was half hidden in the grass. His paw had to get stiches, and if that is not bad enough, he had to get this round plastic collar to prevent him from licking the wound. How on earth is a dog supposed to do all the things a dog is supposed to do with this thing on? There is no dog like way of playing ball with it, of scratching behind the ears, of eating and drinking, and even sleeping gets difficult – at least if you want to crawl under the blankets. And hey! … It is getting winter here. It is freezing cold. A dog needs his blankets!

So we had a long and silent discussion yesterday and he persuaded me that the only way of really making his life better now, is if I would take him with me on photo hunts. So Hunter and I will be joining in to do a little street photography session here and there in the future. We will keep you posted.

lassal-2769


Recovered: Bowling with Friends

Here is the link to the post.
Thank you for your patience – I will post links for whatever I manage to recover.


Holga

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So I now joined the club. One of the last people on earth to buy a Holga, as I assume. No “early adopter” on this one, that is for sure. Well, so it is.

One reason for me to buy a Holga was the decision to build a darkroom and to learn to make my own prints. Working digitally I do not HAVE to know it but I want to. There is something I am missing in these digital prints from today. You could call it the soul of an object maybe. Something breathing, living, unique, something that makes me shiver. I think there are some images that deserve to be given a soul. Hence I have to learn the technique and will need some film to experiment with. Thus a Holga. Eventually I am after another camera, an old Mamyia or Hasselblad … but I have not found the right one yet and the Holgas are inexpensive enough to buy as an extra. Apart from that they are good to experiment around with and that is just something I like to do next to working seriously on my projects.

My Holga arrived from Vienna shortly before we left for Texas, and I was thankful to have the chance to take it with me along with some Velvia, some Provia and a couple of black & white Ilford films that I inherited from a friend many years ago, without ever having the right camera to use them in.

I admit it was a strange feeling to hold that light plastic camera body, it was just like the feeling on opening the funny and colorful box it came in. It reminded me of the first Barbie I got when I was little … similar feelings, similar smell … oh well. I felt stupid when I had to go through the manual to see how to put a film in this thing, but hey, I am a child of the digital age: I have to learn backwards.
Interesting though how expensive the film was in comparison to the camera … similar to a printer in comparison to ink and paper.

I was set to play mode: I now had a camera, that is famous for giving unexpected results due to light leaks, a plastic lens, film material that would go crazy on colour, a not to be trusted viewfinder and no experience with film from my side. So … it could only be fun!

My highest expectation was maybe one “alright” picture in 12, but actually I was positively surprised. If I had not ruined 1/3 of the film by forgetting to take the lens cover off the camera, I would have actually met my expectations. Just kidding! The results are more exciting than I had hoped for. Apart from the unexposed frames (due to the stupid lens cover) I had hardly any frames that were not at least ok. Some were actually quite nice.

I had the film developed but did not invest the money to scan it. I just do not think it is worth it. I will have a few frames scanned professionally for a project later, but this here is really just to satisfy my own curiosity (which is not used to have to wait so long for results) and so I turned my notebook into a lightable and photographed the film. I should have used a tripod but I had none available. So it is just a first glimpse into some material that was really great to make!

(click here or on the image to see more)


Links / Martin Parr

I put this together now on very short notice for the preparation of a online meeting with Martin Parr on BURNmagazine. I tried to assemble some interviews (Google & Youtube), so we can – hopefully – go beyond the standard question of “what advice would you give to an aspiring/ emerging/ young photographer”. BTW, you can find his answer to this question on the Magnum Blog

Please forgive me if I forgot to include something you find important, this was really on a very short notice.

Martin Parr

    Official website
    It does contain an intro by Thomas Weski, a FAQ section, a collection of interviews and videos (see menu>film) and obviously a list of his books, works etc.

    Martin Parr / MAGNUM

Interviews in English

    We Are All Photographers Now!
    Interview with Martin Parr
    “Martin Parr, author of, among others, “Boring Postcards” and “Bliss : Postcards of Couples and Families” explains in his conference how your family photography is form of propaganda, his opinion on technique, what his new agenda is, the demise of Corbis and Getty at the hands of Flickr and what the best new business model for successful photography is. And how dreadful, cliche’ed and boring a lot of amateur photography is.”
    Interview can be downloaded on the page, or listen to it here.
    May 2, 2007
    (definition of amateur, flickr/youtube, crowdsourcing, indexing, Magnum’s website, revolution/evolution of photography, vernacular photography, citizen journalist, changes … )

    Lensculture
    Martin Parr: Mischievous Ironist
    (introduction, gallery & 10min audio interview with Jim Casper “about irony, vulnerability, the secret of history of photography, and more”)
    Date??

    PDNonline
    Why Photojournalism has to “get modern”
    Interview by David Walker – August 1, 2008

    The Zeugma
    Martin Parr: Humanity is not Pretty
    1994

    The F Blog
    Meeting Martin Parr (“Martin Parr Photographs 1971-2000)
    12.09.2007

Interviews in German

Interviews on YouTube